Browsing Tag


Interns | Weekly Vol. One

We operate the largest Photography Internship in the country. Currently we have 11 Interns and every Friday at 9am they must post a blog entry. This is the weekly summary.

Intern Heather: “The river shoot, for me, was definitely my first threshold. I had to break away from old patterns of thinking.† I had to actually stop thinking at all, well, the critical thinking on my craft.”

Intern Joshua: “When presented with challenges†and when you are placed in unfamiliar†circumstances†you either†act†or you†do not. All of your experience, knowledge, and expertise mean absolutely nothing if you do not†act.”

Intern Karley: “I really struggle with being comfortable having my picture taken.”

Intern Tanisha: “At first, I held back quite a bit. I was nervous, I did not know intern Stephanie at the time and I did not want to get in her way. I missed a ton of shots and I just sucked for a while.”

Intern Bonnie: “On the drive home I began to process everything and only then did I realize what an adventure I was truly going to have over the next 3 months and beyond. †I want to become a rockstar photographer.”

Intern Alexander: “This is my first internship with anybody.† Iíve never interned before in my life.”

Intern Delilah: “At first, I stayed comfortably along the edge of the river.† Shooting from the sidelines† Ė thinking I wouldnít have to get in.† Or, get wet. †I was wrong.”

Intern Chad: “I had been looking at the blog posts from other interns in previous seasons about their various experiences and what to expect. It was so much more than what I expected”

Intern Stephanie: “I was† pretty much telling myself† too much sun, Iím not going to get any good pictures – what am I even doing here?

Intern Patricia: “I purchased a 50mm lens a few years ago because I heard it would be great for portrait shots.”


To Live

I have a confession. Iím not really an outdoorsy girl. And yet, youíre looking at photos I made last weekend- made while I waded neck-deep into the Chattahoochee River, dodging fish and snakes and maybe a flesh-eating bacterium or two. Huh. How do you like that?

My photography pushes me like nothing else Iíve ever known. Clearly, because under normal circumstances, Iíd be much more content back on shore, book in one hand and something fruity and frozen and topped with a little umbrella in the other. But Sunday was the River Shoot. It was like Christmas for me. (Which, ahem, is saying a lot, because I also happen to be head-over-heels in love with Christmas. Just so you know.) Also, in case you were wondering how best to pull off your OWN model-in-the-river look and where to buy some of the jewelry†that one of my lovely models†are wearing, check out Dazzle Me Designs. You’re welcome.

Thereís something about going outside your comfort zone, not only as an artist but as a human being, thatís just really good for your soul. I donned raggedy yoga pants, hoisted my camera above my head, and just walked into a frigging river like I owned the joint.

Leaving your comfort zone is scary. And itís scary no matter where your comfort zone is. The day of this shoot, mine was obviously on dry land, but beyond that, itís staying behind. It takes a lot to take a deep breath and leave what you know, diving into the unknown with fear or trepidation or butterflies or anything or everything.

You can stay where itís comfortable. A lot of us do. But youíre not really living. Youíre just existing. But then the day or hour or moment will come along where youíll read something or hear something or do something that wakes you up from this cozy little hibernation that you hadnít even realized youíd fallen into. Something jolts you- maybe itís a something, maybe itís a someone- and suddenly youíre awake and the restlessness is gone. And you know what you have to do to stay alive. You live.

And you will get scared. If youíre lucky, itís just a fish that gets a little too friendly in the Chattahoochee. But worse can- and will- happen. The trick is actually really easy: so ridiculously simple, in fact, that most of us forget it altogether. Live. Donít just exist. Live.††



Anna + Michael | Wedding Preview in South Carolina, Atlanta Wedding Photographers

– Posted by Mark

This is Anna & Michael. Their wedding took place at the Roswell River Landing. We’ve been there before for Emily & Scot’s wedding – and part of the trick is to always make different photos. Specifically, not doing the same poses, over and over again – especially at the same locations. That’s an easy cop-out for any wedding photographer and honestly, if you see the exact same photos with different people week after week from any wedding photographer… seriously consider moving on. (Of course – that makes things much more difficult for us as well – because hey, new poses aren’t always easy ya know?)

Paper cranes? Anna made all of them. And she made A LOT of them. Almost a billion.

Okay – not a billion – but A LOT.

As usual – I brought a team with me – this time consisting of +Laura and Intern Jina. Hey – someone’s gotta carry my coffee right? Just kidding! (um, kind of?) One of the benefits of being an Intern RIGHT NOW is that we have a wedding almost every weekend which means I’m bringing people. Last week was Wilmington, N.C., and this coming weekend is Columbia, S.C. – Traveling for weddings? We. Still. Love. It.

Anna & Michael – You. Are. Awesome.

Thank you for having us.


– Posted by†Mark

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Atlanta. Roswell. Wedding. Photographer. River. Landing. Fox. Theater.

River Session | Intern Experience

This past weekend was really, really busy for me and the Interns. On Friday we spent 10 hours at Anime Weekend Atlanta (AWA) and then went down to Kai Lin art gallery to photograph the opening of the Zenith exhibition. Saturday morning, we were down at the river by 6:45 am and ready to photograph Intern Blake’s wife in a wedding dress – not hers, one she bought from ebay specifically for this.

One of the many perks and advantages that our internship provides are the many different types of photoshoots. We cover almost anything with people except concerts. While some photographers have gone into their niche markets and stay within narrowly defined marketing plans – we stretch our skills because we know that skills translate – and we don’t ever want to run the risk of making the same photos over and over again. This is especially true for wedding photography where many photographers tend to repeat shots/poses much more often than they should.

Up above you can see everyone walking out into the middle of the river. I lucked out and wore flip flops down to my car since my shoes were in the trunk – and that turned out great because yeah, there was no way I was going to just stand on the shore. Standing on the shore would’ve been lame. Blake had his crocs, Debra decided that her shoes would just get soaked – and Nick and Christian went barefoot. The sun was coming up and we had an anime convention to go to directly after this shoot – so we started shooting and pretty much kept up the pace the whole time.

This was technically Blake’s shoot since he set it up completely by finding the location and the model. So everyone else was 2nd shooter and not in the lead. We were all barely awake when we started shooting so we just had Blake directing his wife most of the time while the rest of us sniped shots from the various side angles. Usually that sucks. This was different because it was a wide open space, and we had about 130 degree radius area around the model where each of us could shoot without crossing each other and getting in our shots. It’s different when you’re in a room, or the model’s up against a wall. There are usually far fewer (if more than one) spots for the best shot.

I’m always looking for wide, epic photos that make use of the setting and try to appropriately convey the openness of the space. Yes, details are great and it’s always a good idea to get up close and get a variety of shots – but since I was waking up for most of this shoot, I hung back, set my lens to 18mm and held my camera just above the water as I kept taking pictures.

So what you see here are shots taken as the 2nd shooter. You can see everyone else’s photos when they post them to their Intern blogs – and then Blake’s specifically here (since he was main shooter on this one). I’ll admit that while Blake was off setting up the next set or just thinking, I’d ask his wife to look at my camera just for a second – which is why I got a few shots with her eyes actually in my direction.

Still. I’m hoping that the Interns realize that everything we do translates to other types of shooting. Because you’re not going to always be the main photographer – especially at events where there’s a group of competing photographers. So you’d better get used to finding new shots – the ones that are less obvious but somehow just as compelling.

Not only that – but you need to see photos before they happen. You need to anticipate a person walking across a field or across the street – and almost immediately know what shot you need to make. Where you need to be. Because you won’t have a lot of time, and you won’t have a 2nd chance.

I’ve covered this before in our newsletter. You need to pre-visualize your shots before you ever put the camera up to your face. Getting lucky won’t cut it. You don’t get lucky 20 times during a session. You get lucky once during a set – if that – and honestly, that’s a very risky way to make a photography career. Sure luck is often involved – but who wants to depend on luck? Make your own by actually being good.

Leah and I work very hard on every job we do. Whether it’s a paid gig or a ‘practice’ shoot with the Interns – all sessions must produce deliverable photos, if not usable shots in our portfolios. I use the term portfolio loosely – but the idea is that we’re not wasting anyone’s time. Why go to all the trouble of setting up a photoshoot if you’re not expecting amazing photos?

I’m not saying we always succeed. I’m saying that we always aim for deliverable photos. I’m saying that we always aim for epic shots. Whether it’s a wedding, a Steampunk fashion show, or Bhutanese refugees.

Intern Blake and his wife.

Right after the river shoot we went directly over to Anime Weekend Atlanta for the 2nd day of shooting the convention.

If you saw our Dragon*Con photos, or read the entry, then you know how I feel about standard ‘con photography. Our primary goal was simply to make different photos. Not only that – but I told the Interns that we weren’t going to take the easy way out. We weren’t going to photograph people in empty spaces. No – we were going to make different photos right alongside everyone else – and that means in the halls. That means with people walking in and out of your shot, and security telling you to move along.

But then also when we do decide to use a secluded spot – it can’t just be a blank wall as the backdrop. Blank wall = boring.

We need a commercial kitchen. We need to get kicked out of the commercial kitchen. Then we need to convince someone to grant us permission to shoot in the commercial kitchen. Yes. That’s what we need to do.

Of course – fandom conventions are overwhelming. It’s very easy to get caught up and want to photograph EVERYTHING. That would be a mistake. You really need to be selective and slow down. I decided that I would make a series of headshot type portraits. Because it’s not just about the full body costumes.

We had full access during the convention with our staff badges and with eight of us running all over the place – we made a lot of photos. You can check out the Intern posts as they make them – and check back here in the next few days for my photos of the hall cosplay, the headshot series, and the Lolita Fashion Show.

See you tomorrow, and thanks.

Atlanta. Chattahoochee. River. Trash. The. Dress. Photo. Shoot. Locations. Wedding. Photographer.